#4 Seeds Aftermath

ALL-TIME AMERICAN WRITERS TOURNAMENT

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WHILE antifa protesters raged outside the hall– upset at the inclusion of Ezra Pound in the Tournament– three of the latest selections held an impromptu Q & A with members of the local press. (Pound remained secure in his hotel room, sharing drinks and stories with old friend Ernest Hemingway.)

A few highlights:

John Steinbeck:  “I thank the Tournament judges for finding me worthy of this honor. In my heart there may be some doubt that I deserve to be included over other men of letters whom I hold in respect– but there is no question of my pleasure in being included.”

Steinbeck gave a shout-out to Pound, noting that the poet might be used to being confined in tight places and would survive the experience.

William Faulkner related the oft-told anecdote about hunting with Clark Gable and Howard Hawks, when they were discussing books and Gable discovered Faulkner was a writer. Asked by Gable to recommend a few authors, Faulkner said, “Thomas Mann, Willa Cather, John Dos Passos, Ernest Hemingway, and myself.”

Faulkner was never much of a conversationalist, so having him repeat the story was a minor coup. He also answered a few questions, such as this one:

“Was the writer character played by Dick Powell in the classic film ‘The Bad and the Beautiful’ based on you?”

One-minute pause.

“No.”
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The highlight of the afternoon was Sylvia Plath reading one of her poems. It sounded something like this:

All-in-all, the press conference was a success.

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Our Criteria Revisited

ALL-TIME AMERICAN WRITERS TOURNAMENT

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A.)  The ACHIEVEMENT.

The author’s works: How do they hold up?

B.)  INFLUENCE.

Influence on literature AND on American culture.

C.)  PERSONA.

Like it or not, the writer is a public figure. Writers are the face of the art.

D.)  EXCITEMENT QUOTIENT.

Is energy generated among readers and society by the author and/or the work?

E.)  AMERICAN.

How authentic is the writer and the writing? How representative of some important aspect of American life, ideas, or people? Is the work an expression of American language, sound, voice?

F.)  HUMANITY.

Polished technical exercises aren’t enough. Does the writing have emotion? Heart? We’re not selecting A.I. robots.

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Gil Scott-Heron or John Ashbery?

ALL-TIME AMERICAN WRITERS TOURNAMENT

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(Left: Ashbery. Right: Scott-Heron.)

Twin strands of American poetry. Two poles. Divergent extremes.

One up from the street, taking poetry to the people.

The other representing a withdrawal behind fortress bastions of the academy.

John Ashbery, RIP. Harvard, Columbia, Fulbright. Partisan Review. The New Yorker magazine.

Was Ashbery’s success an intentional reaction, by the literary establishment, against the threat of Rexroth and Ginsberg– against the populist energy, the accessible strong language of the Beats?

Accolades for Ashbery flow in– but which poet truly, TRULY, was more important, more influential these past decades?

Ashbery or Scott-Heron?

Which poet spawned an entire popular musical genre? Which continued the Beat tradition of dynamic open mics? Which made poets and poetry exciting and relevant– breaking the mold of obscurely tame poetry sessions isolated within universities during which every audience member has fallen asleep?

The Question really comes down to: What place should poetry hold in American society?

We give here and now no answer. We’re simply asking: John Ashbery or Gil Scott-Heron? Gil Scott-Heron or John Ashbery?

Specialists

ALL-TIME AMERICAN WRITERS TOURNAMENT

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(Pictured: O. Henry.)
The Tournament is open to specialists of any variety. One-book authors have a chance– if the book is a great one.

We won’t exclude anyone for being just a short story writer. We value the short story. We love it. We see the short story as literature’s future. Its way to break out of its snobby neighborhood. Its exclusive ghetto.

It’d be like excluding rock n’ roll singers with strings of hit singles but no important album from the Rock-and-Roll Hall of Fame. It’d be an outrage. (See Chubby Checker and Tommy James.)

Neither should poets be excluded for being just poets. Or playwrights excluded for being merely playwrights.

Novelists are valued by critics highest of all writers of the past 150 years– but the novel is overrated. Few novels can truly be said to be gems of art. Truly accomplished works of art. Most are time fillers.

(The Great Gatsby is a gem of a novel, but it’s not the greatest American novel.)

Some few novels are time-filling compelling reads– but more.

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Katherine Anne Porter was a talented short story writer who wrote a novel because she felt she had to.

The novel, Ship of Fools, isn’t a bad novel. Neither is it enough of an achievement to place her into the Tournament. If Katherine Anne Porter makes the Tournament it will be because of her short stories. And her novellas.

Raymond Carver never wrote a novel, but this isn’t enough of a factor to keep him out of the Tournament.

Other factors will likely keep him out of the Tournament.
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TRIVIA QUESTION: What do writers O. Henry and Katherine Anne Porter have in common aside from fact both were American and both specialized in the short story form?

(First correct answer wins a free batch of New Pop Lit postcards.)

More #1 Seeded Writers

THE ALL-TIME AMERICAN WRITERS TOURNAMENT

We fill in the other two #1 spots in our Tournament brackets with two other legendary names from the past.

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C.) Herman Melville. What does one do with Moby Dick? One of the other top competitors, Toni Morrison, explained once in a long essay the novel’s symbolism and significance. Talk about writing about America! The Pequod with its hierarchy, mad captain, and multi-cultural crew remains a striking metaphor about the country and concept “America.” What do they chase? That which Melville, writing ten years before the Civil War, saw as America’s founding flaw– the “white whale.” An allusion to slavery at minimum. I doubt if any novel ever written by anyone anywhere has been more ambitious– ambitious in terms of discussing the world, nature, society– and ambitious in looking inward toward man’s sins and soul. It’s also a great yarn. Lest we think this was all Melville wrote, he began as a popular novelist, wrote some classic short stories, including one, “Bartleby,” which in our cubicle work world is more relevant today than ever. Herman finished his career with a great novella, “Billy Budd,” just to show he still had it. But Moby Dick. A novel which can stand with any novel written by the world’s best, even the Russians.
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D.) Mark Twain. We happily bow to the voice of the crowd on this selection. As a persona he’s up there with anyone. He has his undeniable masterpiece, other classic works, fantastic essays and a few good stories. If we’re talking about which writers defined the culture and the American voice, then figures like Twain have an undeniable edge. We also can’t deny there was a time when American lit was much bigger in cultural importance than it is now. But be aware– there are many brackets to fill. A wide variety of voices will be announced.
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(We will be staging a press conference at which all four #1 seeded writers will be present. At least, we have commitments from them. Could be exciting.)

Who Are the Other Two?

All-Time American Writers Tournament

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The #1 Bracket Seeds

Ernest Hemingway and Walt Whitman were the two automatics. This leaves us with two more slots to fill. Who else is on their lofty level? There are several candidates. The literary establishment surely wants Henry James up there– but he has a couple strikes against him. Other names seem to fit more comfortably as #2 or #3 seeds. Then there are the American Nobel Prize winners– but some of the winners have been ridiculously mediocre. (Bob Dylan is among their number, remember.) We have a rough idea of who else belongs at the top of the brackets, but are leaving a few hours, or a day, before  the announcement– which will appear first at New Pop Lit‘s News blog.

After all four top seeds are determined, there will be a news conference at the venue site, at which we’ll hope to get a few remarks from the Big Four. Could be exciting.

With no interruptions– or more rain– we might yet get this ambitious event rolling.